There are 84 slides with photos taken by Lívia of different indigenous communities and the Amazon. Lívia utilized blood and fire as tools to manipulate each single slide/photograph.

The retro projector uses ten different photos printed on transparent paper. Lívia does a live interaction with them by changing the photos, and painting on them live (also utilizing blood and other tools).

There are also headphones available for the audience to listen to sounds of the Amazon and of the indigenous people, which were recorded by Lívia throughout Brazil.
Lívia sets up a dropper that leaks a drop of blood every second (on a glass tray that is placed on top of the photo at the retro projector), and at the end of the presentation, the full photo is covered in blood.

All the techniques are meant to bring attention to the genocide that the indigenous people are suffering, while emphasizing that not a single drop of blood should be spilled.

An installation that is meant to create an experience about how it might feel to be in a protest that involves police intervention and brutality. This is done through the usage of a composed sound track in addition to light effects, which together impact the audience and places them in a different reality. For those who have been in a protest, this experience brings memories and evokes different feelings that might have been experienced before. For the ones who have never been in a protest (in a smaller scale), this experience lets them imagine how it might be to be in a protest that goes through police intervention and repression.

The installation was developed to impact individuals through an approach that goes beyond images. It intends to not only awaken different emotions, but also stimulate people to reflect about police actions during protests around the world.

Technical Aspects: The installation has one projector, three headphones and three goggles and it can be experienced by up to three people simultaneously. The googles let light through, but it doesn’t let the participant see clear images. The people wear headphones while facing the projector as a 4- minute video plays.

Audio and visuals: The audio track has been carefully composed by Lívia and it includes audio from many different protests, including, but not limited to: OWS, June protests in Brazil, Arab Spring, Ferguson protest, among others. Lívia has also developed the video, which explores lights, colors, shapes and moving images that are synchronized with the audio. The audience must be wearing headphones (instead of the audio coming from speakers) considering that the audio track has been composed to create a special dimension, which is only fully experienced if listened through headphones.

An installation that is meant to create an experience about how it might feel to be in a protest that involves police intervention and brutality. This is done through the usage of a composed sound track in addition to light effects, which together impact the audience and places them in a different reality. For those who have been in a protest, this experience brings memories and evokes different feelings that might have been experienced before. For the ones who have never been in a protest (in a smaller scale), this experience lets them imagine how it might be to be in a protest that goes through police intervention and repression.

The installation was developed to impact individuals through an approach that goes beyond images. It intends to not only awaken different emotions, but also stimulate people to reflect about police actions during protests around the world.

Technical Aspects: The installation has one projector, three headphones and three goggles and it can be experienced by up to three people simultaneously. The googles let light through, but it doesn’t let the participant see clear images. The people wear headphones while facing the projector as a 4- minute video plays.

Audio and visuals: The audio track has been carefully composed by Lívia and it includes audio from many different protests, including, but not limited to: OWS, June protests in Brazil, Arab Spring, Ferguson protest, among others. Lívia has also developed the video, which explores lights, colors, shapes and moving images that are synchronized with the audio. The audience must be wearing headphones (instead of the audio coming from speakers) considering that the audio track has been composed to create a special dimension, which is only fully experienced if listened through headphones.